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BLACK QUEEN'S BEADS

from Les Fleurs du Mal by EaViL

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  • LES FLEURS DU MAL PRO CDR
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    "EaViL" was a simultaneously unwieldy and timid odd couple of queer synth pop outsiders. For ten years, E. Al Dente and N. Vilches released home-made CDRs in EP format, almost always containing one or two cover songs.

    EaViL were either indifferent or untoward regarding the unspoken obligations of your average musical acts, while still maintaining a sort of resolute hermetic diligence in terms of promotion, regardless of their intentions. There are no overwrought affectations, no "ersatz bad boy" aesthetics, no self-conscious posturing, no Machiavellian bullshitters, and no obnoxiously ambitious go-getters here. Rather, in the place of any particular over-arching gimmick, is a general "take it or leave it" tone to the work, which is brimming with a sense that the listener is being welcomed as a guest into the artists' home; and with it, the kind of spiraling raw inspiration mixed with studio-rat isolation vibes that so many of us crave. Nevertheless, the audio/visual performances of this yin/yang dynamic were nothing less than stimulating.

    What initially rose out of the ashes of membership in a precociously noisey Indian Jewelry related band, The Electric Set, was a series of modest, yet earnest and gentile nods to the history of performance art , as well as italo disco, among other things. Odd masks, warped videos of Diana Ross, and lyrics about EaViL's cats ("Patsy" and "Edwina"), Alfred Hitchcock movies, their south side Chicago stomping ground (McKinley Park), or "Tarantula Juice" and other surrealismo permeate the lo-fi synth soundscapes, which at times just happen to tip-toe similar territory as wide-ranging as BeNe GeSSeRiT, Atari Teenage Riot, Giorgio Moroder, or Le Forte Four.

    Initially, EaViL were an all-analog group, slowly evolving to embrace laptop technology. During their tenure, they performed on the famed "Chic-A-GoGo" public access TV show, and opened for popular "electro-glam" duo Glass Candy, among other ventures, but as far as we at NO PART OF IT are concerned, their collective musical candle went out too early.

    "Les Fleurs du Mal" is a kind of anthology of favorite tracks, including some highlights from an unreleased/unfinished album called "DeciMaL" for your personal enjoyment. The digital download contains more than twice as much material with hidden bonus tracks, including some more experimental dimensions from the outfit, not to mention some particularly deconstructed covers of Prince, Yaz, and Siouxsie.

    Includes unlimited streaming of Les Fleurs du Mal via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Any 5 PRO CDRs or PRO DVDRs
    Compact Disc (CD) + Digital Album

    Most titles in this format are still in print. Feel free to note in the purchase comments (or in an email) which titles you would like. 333REDUX Data Disc version is out of print, as well as "333" itself, but there is still a pro DVD menu version of that one available. Arvo Zylo/Dental Work - "Velcro Bismol" is out of print. The V/A "Delirious Music For Delirious People" is out of print. I don't think anything else is out of print at this time. If no specifics are made, the most recent five releases will be sent. Please note what you want in the message section during your order. Downloads for all five releases do not come in this bundle.

    Includes unlimited streaming of Les Fleurs du Mal via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Full Digital Discography

    Get all 77 NO PART OF IT releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of IOS40, Whip Sigils, Arranging for an Opening of a Teleport to Shangri-La, Watching The Void: A Smattering of Panic Records & Tapes, Veiled Matter, January Evening, 333, 𝕿𝕽𝕰𝕱𝕱𝕰𝕹 𝕾𝕴𝕰 𝕯𝕰𝕹 𝕾𝕮𝕳𝕬𝕿𝕿𝕰𝕹, and 69 more. , and , .

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credits

from Les Fleurs du Mal, released October 30, 2018

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NO PART OF IT

Private label formed in 2008.

No longer considering demos.


*The Trunculence character logo was created by collage artist Christopher Ilth, used with permission.

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